Bikes, bulls: Indian spoof cinema redefines filmmaking

PANAJI, India, (Reuters Life+ACE-) – What does it take to  make a movie? A bicycle, a bullock cart, a small handycam and a  soaring imagination — that’s what Indian director Shaikh Nasir  will tell you.  

Nasir is one of several makers of low-budget, spoof movies  set in the industrial town of Malegaon, around 300 km (190  miles) from Mumbai, the home of Bollywood, and a world apart  from the glitzy sets, big-name stars and lavish productions of  the world’s most prolific film industry. 

For 10 years, Nasir has made films with local actors and  almost no equipment, often on a budget of a little more than  +ACQ-1,000. Many are parodies of Bollywood hits.

+ACI-We don’t have fancy equipment like trolleys, so we mount  our camera on a bicycle instead. A bullock cart functions as a  crane. A handycam is our camera. But our films have heart,+ACI-  Nasir said.  

Although crudely made, the films are a hit with Indian  audiences, and two of the country’s film festivals — the  International Film Festival of India (IFFI) and the Osian Film  Fest — have special showings for these productions.  

+ACI-These are immensely popular films, at least in the areas  they are released in,+ACI- said Bhupendra Kainthola, who heads the  Indian section at this year’s IFFI.  

+ACI-They may be low budget, and may be not technically as  polished, but they are nevertheless a part of our film  culture.+ACI-  

Nasir, a former video parlour owner who took to filmmaking  after watching Bollywood cult classic +ACI-Sholay+ACI-, edited his  first film on VHS as he had no access to computers.  

+ACI-Ye Hain Malegaon Ka Superman+ACI- (Here is Malegaon’s  Superman) is Nasir’s latest project, and Malegaon’s most  expensive film yet, made on a budget of +ACQ-2,200. 
 
The film deals with local issues, has local actors and is  in the local language. Malegaon’s Superman is skinny, wears  shorts and flies into electric wires. His mission is to save a  village from a tobacco-loving villain.