Winston Alexander paints live portrait of outgoing US ambassador

Winston Alexander applying the final touches to his painting
Winston Alexander applying the final touches to his painting

It was last-minute notice, but a call from the Ministry of Labour jolted Winston Alexander’s creative spirit into action. The ministry was seeking his expertise for a live portrait, a request that filled him with eager anticipation, though he had only 24 hours notice.

“It was an unexpected opportunity to showcase my artistic talent to the outgoing [US] ambassador Sarah-Ann Lynch,” Alexander said.

He had been recommended by artist Compton Babb.

“Mr. Babb had recognized that live portraits were not within his purview… This task demanded meticulous preparation – selecting the perfect image, studying its intricate features, and rehearsing the practice strokes to envision the final masterpiece. This careful planning allowed for adjustments, ensuring the original painting would capture the essence of Ambassador Lynch,” he said.

“When the moment arrived, I chose my standard canvas size of 4ft x 3ft, applying heavy brush strokes and employing an impressionist technique to convey the skin tones and features. The backdrop featured the colours of the golden arrowhead, symbolising Guyana’s diverse culture. The strokes were deliberate, a reminder of her dedicated service to this unique nation.”

As the live performance, which took some ten minutes, unfolded, Alexander said, he  lost himself in the strokes and hues, focusing solely on the evolving portrait. The ambassador “expressed her enjoyment of the unfolding artistry. Post-performance, our brief interaction was one of mutual appreciation and encouragement. She acknowledged my efforts, inspiring me to persevere in my artistic journey and promising to promote my work back in her homeland,” he added.

Winston Alexander (right), Minister of Labour Joseph Hamilton (left) and Ambassador Sarah-Ann Lynch (centre)

He seized the opportunity to convey gratitude on behalf of the artist community, acknowledging the ambassador’s role in promoting art and culture.

Reflecting on his experience, he realised the power of art in promoting diversity and understanding among cultures. 

“Despite the sleepless night spent preparing due to the late notice, it was a worthwhile endeavour. Looking ahead, I eagerly anticipate my first solo exhibition early next year,” he added. At present, he is focusing on commissioned pieces and speeding up his painting process to produce more content.

According to Alexander,  “the worst enemy of creativity is self-doubt. My advice to fellow artists is to practise regularly, promote yourself passionately, and maintain consistency in producing high-quality work.”