According to the National Assembly of State Arts Agencies (NASAA), the US Bureau of Economic Analysis reported that in 2022 arts and cultural production accounted for US$1,102,084,995,000 or 4.31% of the US economy.
On February 26th, as Guyanese recovered from an eventful three-day weekend of celebrations marking our 54th Republic Anniversary, Sir Frank Bowling OBE RA marked a milestone birthday.
Making art cannot be taught. What can be taught are techniques in artmaking; how to use certain media or tools effectively, the right kinds of supports (surfaces on which to paint or draw) depending on media, or procedures for optimal results.
Continued from last week:
Rounding out a very good year for Carl E Hazlewood in 2022, Welancora Gallery in Brooklyn, New York, presented Racing Thoughts-Fever Dreaming: New Paintings by Carl E Hazlewood at Art Basel Miami Beach, from November 29 to December 3, 2022.
Field Dreaming Yellow Incursion by Carl E Hazlewood, Acrylic Polymer Emulsion, 10 x 46 inches, 2000 (Photo: Courtesy of the artist – From Demerara Dreaming Triptych Paintings: 1996 – 2003)
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Pinkskin Blackhead Archer by Carl E Hazlewood, Pigment ink, polyester, acrylic, pastel map pins, colour pencil, Hahnemuhle, and other papers, 51 x 34 inches, 2022.
On Sunday, January 21 in the late afternoon, as Guyana approached the final cooling off of the day, artist Dudley Charles posed a simple question on a social media platform that stirred many: Where is this painting: Anansi Story?
As Guyanese at home and abroad awaited Referendum Day in neighbouring Venezuela in varying states of preparedness, concern, and anxiety, Guyana-born New York City-based artist Carl F Anderson (b.
As noted in last week’s article, “Bernadette Indira Persaud AA – A visual poet…mostly in her words”, Persaud had a predilection for art as a child which she nurtured whenever opportunities arose.