Alissa Trotz is Editor of the In the Diaspora Column
In a letter written in the August 3rd edition of the Stabroek News, ‘One must prize freedom and use it to make proper choices,’ Pastor Darion Comacho offers a number of interesting reflections on the theme of freedom, some of which we will return to in future diaspora columns.
By Holly Bynoe and Nadia Huggins
Two Vincentians – Holly Bynoe, a visual artist and Nadia Huggins, a digital photographer – have conceptualized and are preparing to release the third quarterly issue of ARC Magazine, a publication that focuses on a collection of works by contemporary visual and literary artists practicing in the Caribbean and its Diaspora.
Alissa Trotz is editor of
the Diaspora Column
In her column last Saturday in the Stabroek News, Stella Ramsaroop shared with readers some of the text from her interviews with three Presidential candidates – David Granger (APNU), Donald Ramotar (PPP), Khemraj Ramjattan (AFC) – on the question of how each of them would address domestic violence.
In last week’s column, ‘Homosexuals, Dirty Words…and Me,’ award-winning US based Guyanese singer Nhojj spoke of the dangers of living in a world that can “never reflect the full spectrum of our lives,” cutting us off not only from each other but from parts of ourselves.
Alissa Trotz is editor of the In the Diaspora Column.
Over the weekend both Stabroek News and Kaieteur News ran important pieces that addressed the significance of May Day, now celebrated all over the world.
By Danielle Toppin
In her work with Sistren Theatre Collective of Jamaica, Danielle Toppin focuses on mainstreaming gender into the composition of the grassroots organizations’ work, as well as on designing and facilitating workshops on gender, culture and identity.
By Cary Fraser
Cary Fraser is a regular contributor to the Trinidad and Tobago Review and writes on international relations in the Middle East, American foreign policy, and Caribbean history.
As an Ethiopian who spent the better part of my youth in Guyana, this article is written in the spirit of international solidarity articulated by the likes of Walter Rodney and other members of the Dar es Salaam school.