The British Caribbean celebrates 50 years of nationhood in 2012. Although most of the territories did not become independent until the years between 1966 and the 1970s, the age of ‘the Caribbean Nation’ is defined by the year 1962 when the first two islands gained Independence.
The Guiana Shield is mostly defined in geographical and geological terms since its location, landscape, earth structure and vegetation are what define it.
Dance theatre in the Caribbean has developed in a number of interesting and increasingly important directions.
The year 2012 is generally regarded as the 50th anniversary of Independence in the Caribbean.
We have previously made comments on different factors concerning Emancipation and the state of African culture in Guyana and the Caribbean.
In the Caribbean there are several cultural forms and events that tend to associate themselves with the First of August.
The Caribbean performance traditions have always included very strong forms of comedy.
Guyanese playwright Ronald Hollingsworth has over the years earned a place for himself on the contemporary Guyanese stage.
Over many years the Embassy of the United States of America in Georgetown has been involved in a range of artistic presentations in Guyana.
Apart from ER Braithwaite, June is also the month in which another Guyanese writer was born.
In another ten days, on June 27, 2012, one of Guyana’s celebrated writers will be 100 years old.
When it comes to reflection on the quality of life in one’s own time, there is always the looking back to a past ‘golden age’ when things were better.
Amerindian art in Guyana has generated forms in painting and sculpture which are the most unique in the anglophone Caribbean.
By Alim Hosein It might be a trite expression, but indeed, the passing of Philip Moore – the Immanuel Kweku Moorji – marks the end of an era in Guyanese art.
A new play, Front Yard, was performed a week ago at the National Cultural Centre by one of the newest theatre companies in Guyana.
Trevor Rhone’s Old Story Time has now become one of the most revisited plays produced and performed in Guyana.
We have on different occasions reviewed the masquerade tradition in the Caribbean.
The Theatre Company and GEMS Theatre Productions have a few reasons to feel some sense of achievement in the staging of The GT&T Link Show 28 directed by Ron Robinson and managed by Gem Madhoo-Nascimento.
Some years ago, David Dabydeen did a presentation on the close historical relationship between British art and sugar, articulating the association of art with the financial gains of African slavery in the West Indies.
The attempts to build a Guyanese film industry continue. The latest contribution in this long-running saga is the new film A Jasmine for A Gardener directed by Mahadeo Shivraj and released in Georgetown last week.
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