Arts on Sunday

On February 23, 2010 the Republic of Guyana will celebrate 40 years since the nation became a republic. 

I don’t care if the whole a BG burn down But they will be putting me out me way If they tackle Tiger Bay An bun dung de hotel where all me wahbine does stay The Mighty Sparrow Strange as this might sound, those words are a compliment to Guyana. 

It is a remarkable quality of poetry that it is inexhaustible. 

In an old introduction to African poetry, Nigerian poet and playwright Wole Soyinka who won the Nobel Prize for Literature in 1986 comments on some of its themes and characteristics. 

Derek Walcott achieved yet another significant chronological landmark with the celebration of his birthday yesterday, January 23, at the end of the first decade in the twenty-first century. 

A few important statements were made in the theatre in Guyana during the years 2008 and 2009. 

April is the cruellest month, breeding Lilacs out of the dead land, mixing Memory and desire, stirring Dull roots with spring rain.

Tears For The New YearI have always thought of tears as redemptive, irrigating my bone-dry spirit, disposing it to bloom again, unfurling astonishing, frail flowers of hope.

Arts On Sunday During this week the work of two of the most important Guyanese authors, Martin Carter and Edgar Mittelholzer,  will be celebrated since it will mark two anniversaries. 

Many records exist of colonial and pre-independence Guianese poetry, but they are in different forms and different types of resources, and for the main part one has to seek them out in various places. 

The 6th Caribbean Writers’ Residential Workshop sponsored by The Cropper Foundation in Trinidad recently circulated invitations to new writers to send in applications for places in their 2010 workshop, and Poui, the Cave Hill Journal of Creative Writing recently launched its latest issue, Volume 10, in Barbados.

As this column noted last Sunday, despite including nations which earlier had staunchly championed the cause of poor countries, the G20 since leading the coordination of international efforts to tackle the global crisis has turned out to be like the G7 before it, a serial violator of its pledges to help poor countries.

The stage performance of Baghban (The Caretaker) directed by Neaz Subhan in the name of the Indian Arrival Committee is the latest attempt in a long endeavour by Subhan to create/promote Indian drama in Guyana. 

In recent years Jamaican plays have been extraordinarily popular in Guyana and whenever any of the companies from that country are booked on tours to Georgetown they are in high demand. 

This week, Arts on Sunday revisits the comparative literature of Guyana and Brazil as relations between the two South American neighbours deepen and the University of Guyana renews its study of Portuguese.

Al Creighton’s Arts On Sunday The National Dance Company (NDC) of Guyana celebrated the achievement of yet another milestone with the performance of its 2009 major dance production titled Pearl .

We have on previous occasions commented upon the nature of national traditional festivals in the Caribbean and the way they respond to the cultural environments in which they exist.

Arts On Sunday There is a particular social problem that has been developing over the past decade and has become a source of great concern, specifically to the Hindu community of Alexander Village on the south-western edge of Georgetown.

Arts On Sunday How important are programmes to the theatre?  Programmes in this context refer not to the proceedings themselves, that is, what is being performed, but those little documents that are usually handed out (or sold) at the door. 

Dramatic and other theatrical productions in Guyana have always had little intermittent ‘seasons’ during which there is a varied menu of different offerings in between long periods of inactivity.