Eye on Art

Charlotte Woolford. Mal Woolford. No Relation, Exhibition Installation View, 17 November to 1 December 2024, Westminster Quaker Meeting House, London. (Photo Courtesy: Charlotte Woolford and Mal Woolford)
Charlotte Woolford. Mal Woolford. No Relation, Exhibition Installation View, 17 November to 1 December 2024, Westminster Quaker Meeting House, London. (Photo Courtesy: Charlotte Woolford and Mal Woolford)

Charlotte Woolford. Mal Woolford, No relation, an exhibition – London

“Archival research revealed that [Mal Woolford and Charlotte Woolford] are connected through historic transatlantic chattel slavery.

Timehri Tekhenu (Enthroned Heru Obelisk of Eldorado),
mixed media, 24” h x 30”, 2024 in front of Pillar of Truth and Justice, acrylic on canvas, 42” x 30”, 2020 (Photo: Courtesy of the artist)
Timehri Tekhenu (Enthroned Heru Obelisk of Eldorado), mixed media, 24” h x 30”, 2024 in front of Pillar of Truth and Justice, acrylic on canvas, 42” x 30”, 2020 (Photo: Courtesy of the artist)

The Message of an Artist – Keith Agard

Guyanese-Jamaican artist, Keith Agard, is hosting ‘The Message of an Artist’, which opened November 16, 2024, at the University of the West Indies in Kingston, Jamaica.

Breaking boundaries

From November 6 -16, the Ministry of Education (MoE) for the second consecutive year will host an art exhibition foregrounding the work of students and teachers of Visual Art at the National Gallery of Art, Castellani House.

The Moving Circle of Artists, 2024

Although George Simon (d. 2020) has passed on to the realm of the ancestors, it is good to see that his Moving Circle of Artists persists, and judging from their current/recent exhibition, it has expanded to be more reflective of his original vision.

Acts of intimidation

I was around 14 years old when I experienced my first raid at home by members of the state security apparatus.

Kabakaburi Music - Stephanie Correia, Watercolour,  1998
(Photo Courtesy of Castellani House)

Stephanie Correia

Born April 28, 1930, Stephanie Helena Correia was the third of nine children born to Umbelina and Stephen Campbell.

Doubling, Tahirih Gerrard - Acrylic on Canvas, 20”x 27.5 “ 2024 (Photo: Courtesy of T Gerrard)

Echoes of Resilience

This week I share the Exhibition Overview for the University of Guyana’s Fine Art students’ exhibition Echoes of Resilience currently on at the National Gallery of Art, Castellani House.

Designed by Haitian architect Albert Mangonès (1917–2002), Le Nègre Marron is an iconic sculpture and the epitome of (black) freedom visualised. The 2.4 metre (7 feet 9 inches) high bronze sculpture shows a man balanced on one bent knee in a posture of arrested movement. It is as if the man has pulled himself out of a cavernous space; his body arches backward and to his lips he holds a conch shell, a symbol of freedom in a call to rebellion. In his right hand, he holds firmly a machete. The chains attached to the manacle on his extended left leg are broken. Forgetting is not possible with such a monument.

Monuments of Remembrance

Resistance. Fortitude. Resilience. Emancipation Day is around the corner. Without fail every year on the day and during that period, I catch myself doing a quick self-assessment.

More thinking out loud, GDPs, and boats

According to the National Assembly of State Arts Agencies (NASAA), the US Bureau of Economic Analysis reported that in 2022 arts and cultural production accounted for US$1,102,084,995,000 or 4.31% of the US economy.

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