Eye on Art

Wine, art, and transformations

Making art cannot be taught. What can be taught are techniques in artmaking; how to use certain media or tools effectively, the right kinds of supports (surfaces on which to paint or draw) depending on media, or procedures for optimal results.

Where is this painting: Anansi Story?

On Sunday, January 21 in the late afternoon, as Guyana approached the final cooling off of the day, artist Dudley Charles posed a simple question on a social media platform that stirred many: Where is this painting: Anansi Story?

Mazunte – White Stones by Arlington Weithers
(90” x 108”) 2004. (Photo: Courtesy of the artist)

A Christmas Wish List

Christmas is upon us! And there is hope and excitement for the potential granting of the wish lists – in part, but better yet, in full! 

At Eye of the Storm: Circulos Vibrante, artist Carl F Anderson in conversation with David Eichenholtz, Director of the David Richard Gallery, New York NY (Photo Courtesy of Carl Hazlewood)

Eye of the Storm: Circulos Vibrante

As Guyanese at home and abroad awaited Referendum Day in neighbouring Venezuela in varying states of preparedness, concern, and anxiety, Guyana-born New York City-based artist Carl F Anderson (b.

Musings, Guyanese Folktales, and Figures of the Ramlila

On Monday, October 16, the National Gallery of Art (NGA) Castellani House along with the Faculty of Education and Humanities of the University of Guyana hosted the opening of “Musings, Guyanese Folktales, and Figures of the Ramlila”, an art exhibition featuring works from the two prospective graduates of the university’s BA in Fine Art Programme, current students, recent alumni, and two lecturers of the Division of Creative Arts (DCA).

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