Mind Games in “Glass”
“Glass” recently premiered as the third part of M. Night Shyamalan’s Eastrail 177 Trilogy, which began with 2000’s “Unbreakable” and continued in 2017’s “Split.”
Reel Encounters
The films that made me feel the most in 2018
As a new year begins, every film critic is forced to consider the moments in cinema that burned brightest in the previous 12 months.
Fighting the blues in “The Old Man & the Gun”
A seventy-year-old man walks into a bank. He is charming, diffident, well dressed.
Flights of fantasy in “Mary Poppins Returns”
The climax of the newly-released “Mary Poppins Returns” features the main characters attempting to, inexplicably, turn back time.
The infinite possibilities in Spider-Man: Into the Spider-Verse
The best thing about any incarnation of Spider-Man has always been his normalcy.
Melancholy memories in “Roma”
A Mixtec Amerindian woman and an older White Mexican woman stand in a crowded hospital room in Mexico City.
Romantic tedium in “Nobody’s Fool”
Tyler Perry has released 19 films in the last 12 years.
Petty thievery
There is one thing that the new iteration of “Robin Hood” does better than anything I’ve seen this year.
Fighting for identity
When director David Mackenzie’s kinetic, bloody war epic “Outlaw King” landed the prime opening night spot at the Toronto International Film Festival (TIFF) in September, it seemed to signal great things for Netflix and for Mackenzie, whose previous work, “Hell or High Water,” was a critical hit a couple years ago.
Stylish crimes
Steve McQueen’s “Widows” premiered at the Toronto International Film Festival (TIFF) in September as the much-hyped and much-anticipated follow-up to his Oscar winning “12 Years A Slave”, from 2013.
Of myths and men
“Bohemian Rhapsody,” more than most 2018 films, has had to justify its existence.
The man on the moon
“First Man,” the new film by Damien Chazelle, begins in space.
A Star is Born in Amandla Stenberg
Amandla Stenberg was one of a handful of actors who attended the Toronto International Film Festival this year as the star of two films.
2018 Toronto International Film Festival Diary: For the love of poetry in “The Kindergarten Teacher”
“I have a poem.” It’s such an innocuous line but one that hides a wealth of profundity.
Listening for the music in “A Star is Born”
Is the new film “A Star is Born” a musical? This seems a bizarre question to ask.
2018 Toronto International Film Festival Diary: The loneliest girls in the world
This year, the Toronto International Film Festival made a concerted effort to shine a spotlight on women both in front of, and especially behind, the camera.
An unexpected comedic turn in “Venom”
I walked out of “Venom” with the dopiest smile on my face.
Child’s play in “The House with a Clock in Its Walls”
“The House with a Clock in Its Walls” feels almost anomalous in 2018.
2018 Toronto International Film Festival Diary: Dreaming black boys in “Farming” and “Angelo”
Two films at TIFF this year – both inspired by true events – seemed preternaturally linked in their representations of race and racism in Europe.
Mommy issues in “A Simple Favor”
“Secrets are like margarine,” quips Stephanie, the protagonist of “A Simple Favor,” Paul Feig’s new mystery/comedy/thriller.
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